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We were born to do that. We reproduce, look after babies and care for our families simply to fulfill that unspoken charge.

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Many of us will be blessed to care for sic aging parents for whom we are privileged to do that. But Chris the wandering sheep tells us something else. Again, the world might just settle for a bit of that. Chris needs our help, and the mere fact that he exists demonstrates to us what we were made for and that we, too, have needs that only someone higher than us, in our case much higher, can fulfill. Our existence, our pathos, sorrow, grief, wretchedness, and—dare I say it?

You may yet be wondering about the meaning of life. It is, from one point of view, denying yourself to serve others.

My Bio - Christine Dossman

From the other point of view, it is, simply put, acknowledging how wooly life can get. Visit Book Blogs. Little Lamb God bless thee. Follow this blog.

Aren’t you curious?

Um, off the top of my head — If your female characters come across to your female readers as believable, you being a male author sets you apart. Many male authors create female characters who display behaviour more typical of men than of women. For example: stress response — fight or flight, or tend and befriend?

Your racing bike background suggests that whether you were making bikes or racing bikes or both, you should have a good understanding of the nature of competition, of how to balance risk vs. Although this is not the place for a conversation, I want to answer your points. My reply extends to words. I think this longer than the monitor will pass, so I am Sending merely one paragraph on the chance that a live monitor will think it will interest other story tellers who peruse these responses.

I have sensed that the average woman has better communication between the two sides of her brain than the average man; her senses are keener by resonance. All-together women are more likely to consider all sides of a conflict; manly men bulldoze through.

How to write a great author bio that will connect with readers

Men see only what they look at; peripheral vision enables women to spot signals of intent like a martial artist. Women lack muscle mass; they must avoid collisions like a bicycle. Women have one centre of gravity whereas men have two. Women have an inner stability affording quick reflexes that surprise men. Women are oppressed; they get their way by learning to pretend submission, as do children and menials.

Their act is mistaken for their nature. Girls manipulate male weakness; men hate them. Women use male power; men love them. Women are more supportive and intimate than men; isolated women suffer anxiety. Women have children and hormones that want children; responsibility handicaps women. Nothing would change the world so drastically as making men sick for a week of every month; no general would start a war he could not win in three weeks.

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Men see women as children with boobs; women write their male characters paper thin. That is what subtext is all about. Women should write male characters only when they feel that men hurt, too. A few trials proved my bio counterproductive. I was seated on stage as guest of honour behind Buckminster Fuller when he spoke here to a packed house of Bucky graduated from Harvard, I did not graduate from high school; culture clash makes me poison ivy in academe.

Neither does my track record sell a character drama. My first expulsion ended my public schooling.

My photographic memory wrote exams without error. I refused to be treated as a child.

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I was there to learn, not to be taught; pedagogues do not know the difference. My employer started training me to supervise the largest construction projects in the country; with little schooling, my employer led the local industry. I was expelled a second time for an assigned term essay telling Why Kids Quit School. I told it like it is.

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My opera was mature; my school teachers were not. My e-trilogy is an action crime mystery with song and dance scenes, an almost paranormal character drama in a tragicomedic road show about naive fish out of water. It is soap opera for the thinking woman. The market returned its verdict on my essay, my opera, my best-seller, and my first novel went viral briefly.

You question that a man can create female characters. I agree. And women write men skin thin. My main protag is a singleton raised as a son by her General Dad in an overprivileged home; I do not expect many readers to know such an unusual character better than me, so I have a wide margin for error. I speak through the third character whom no reader will believe. Fledgling story tellers are told to know everything about their characters. Detail is not character; motive creates character. Complex motives create complex characters. Circumstance creates motive; complex circumstance creates complex motives.

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Motive drives character. Character drives plot. A story is about somebody who wants something; ET wants to go home. Writing is blocked when motive is lacking. Culture dichotomizes reality into subjective and objective, inner and outer, female and male, yin and yang. Women are supposed to live inside; a man with an inner life is disparaged as effeminate.

My observer is blind; she can function only by bringing her outside inside. My characters are searching for their other halves —- which is basically what romantic fantasy is all about. Everybody believes the authorized fantasies; whole people are not believed in the demimonde of illusion. Whole people are paranormal. In stories, people seek to find or escape from what is missing in their lives. My protags are are not proper women because their parents did not provide all their spirits need to be whole.

They search for their whole selves throughout their stories.